Blue punches in his grip, as he shuffles forward like a boxer throwing a jab. |
A lot of people who start judo want to dive right into learning the fancy looking throws. Trying to throw an experienced grappler or judoka is extremely difficult without knowing how to fight to get your grip. Grip fighting is an art in itself. Grip fighting is a fundamental part of judo and is worth learning. It requires some serious time in training, if you don’t put the time into this, then you won’t progress very far with your throws.
Grip fighting is ultimately the act of grabbing your
opponent's gi where YOU desire without letting the opponent get his grip in such a way that prevents you from attacking.
Grip Fighting Key Points:
Have a grip fighting strategy
-
Grip fighting means just that "grip
fighting!" Don’t change your stance stand your ground and fight for the
grip you want.
Be fast - Be ballistic - Be explosive
Think boxing - punch in your grips like a boxer, you can use combinations, you can feint and you can even parry you opponent's grip attempts in the same manner a boxer parries punches.
- Grip fighting creates opportunities, it sets up
your throws.
- Create motion. Try to never break a grip while standing still it can be very difficult....MOVE!
Get the first grip
A judo throw requires the establishment of a strong grip. An
offensive gripping strategy can help keep the opponent or adversary on their
heels both literally and figuratively. Not having a solid plan for your grips
can leave you vulnerable and at the mercy of your opponent.
Arm pit grip (waki)
Outside of Japan the arm pit grip is a pretty rare gripping method. Some of the great Japanese judo players have used this grip successfully in their offensive arsenal. Gripping the folds of the cloth at the area of arm pit is extremely versatile. It provides incredible defense and distance control.
The arm pit grip is very useful in blocking an opponent’s
attacks, restricting his movements and keeping him at a safe distance. It is
extremely effective in a right vs right situation or an opposite stance, right
vs. left situation (Kenka Yotsu). It helps control his arm making it harder for
him to put his hand down to block a throw, it also keeps him from reaching over
the top of your shoulder. In the one-handed judo style you have the added
benefit of the opponent not feeling threatened by only a single grip. Unlike a
pull on the sleeve or the lapel pulling at the armpit is a much shorter pull.
Posture and punching in your grip
Fighting with your grip
When you have gotten your grip keep your wrist, elbow and
shoulder loose and constantly hunt for the opportunity to throw your opponent.
A common error after you have punched in your grip is to constantly hold the
opponent away with a stiff nonmoving arm.
Get in the habit of fanning your elbow up and down. Keeping
the left arm loose will enable you to block your opponent’s grip attempts, as
well as push, pull to position him and keep him off balance and even counter
his attacks. Neither your gripping hand nor the arm should be stationary.
Keeping the arm active pushing, pulling and fanning it up and down also makes
it more difficult for your opponent to grip and control your arm.
Blocking opponent’s hand before he gets a grip
This blocking method is similar to throwing a cork screw punch in boxing. As I rotate my gripping hand clockwise turning my thumb downward, I push the knuckles of my hand into my opponent.
Blocking the opponent’s over the top grip attempt
Blocking opponent’s grip attempt under arm
When breaking grips you have to be careful not to put yourself in a bad or compromising position to get thrown. In this scenario you have secured your grip first and the opponent manages to reach over the top of the left arm and grip the lapel with his right hand. Punch the left arm straight out and at the same time knock his grip loose with your right hand.
Keep in mind that breaking grips and even off balancing your
opponent work hand in hand with the movement of your feet. The arms, hands the
legs and feet are used in conjunction to move your opponent around off balance
break his grip and set him up for your throw.
When opponent grips lapel over the arm
You can also use your opponent’s lapel grip against him using his grip on your lapel as a set up for a throw.
When opponent grips right sleeve
Keep the gripping hand and arm active. The most effective
movements are performed in an explosive manner. The simultaneous and explosive
movement of the different parts of the body in a coordinated way allows for
greater speed and force.
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