Shoulder Throw vs Rear Hand Straight Punch

“THE STOP” can be found in the US Army combatives Field Manuals 21-150 from 1954 through to 1971. It can also be found in earlier works such as Willaim Jacomb’s 1918 book on Practical self defense where it is referred to as “THE STOP”. It is also used in the 1905 book, The Complete Kano Jiujitsu/Judo. Simple, gross motor driven direct and effective, it takes our natural survival instincts into consideration and allows those survival instincts to work as a foundation for a very rapidly delivered technique. Turning this instinctive reaction into a hit, thrown much like a straight punch in boxing as opposed to a push, you can stop the rotation of the attacker’s torso at his shoulder. This tactic is incorporated into my boxing skills and combinations. It can be utilized as a preemptive strike or when the attack is recognized early or late.

Preemptively, “THE STOP” is used just before the adversary is within striking distance and when your intention is to take him to the ground. When delivered it stops the forward motion of the attacker and brings his arms up toward the front(1st picture below).

When it is used to intercept a punch early, striking the pocket of the shoulder stops the rotation of the adversary’s torso at his shoulder (2nd picture above). “THE STOP” is also effective when you pick up on the attacker throwing a punch late. For example, if the attacker throws a right haymaker, step off line of the punch and at an angle to your right and deliver the strike with your left hand to the attacker’s right shoulder (3rd picture above). This tactic basically short-circuits the power of your attacker’s punch at the root of its motion.

“THE STOP” is not a push, it is a strike, delivered much like a straight punch in boxing either with the lead hand like a jab or the rear hand. Targets the area where the shoulder meets the chest and immediately follow up by grabbing the adversary’s shirt at the area struck. Once the adversary has been rocked backwards, immediately follow – up with a pull bringing up off his heels  and toward you for more strikes or a throw or take down.

Shoulder Throw vs Rear Hand Punch

1.) From a ready position, you see the aggressor start to throw a rear hand punch. Push off the left foot and step forward with your right foot at a slight angle along the right side of the triangle slipping to the inside of the punch. Simultaneously strike the aggressor’s shoulder right above the armpit jamming his attempted punch. Immediately grip his shirt at the area struck.

2.) Pull the aggressor toward you with the left hand rocking him forward up off his heels. At the same time that you start your pull with the left hand, your left foot moves up toward the top of the triangle.

3.) Then Immediately step your right foot to his right foot. The toes of your right foot should be almost touching the inside of his right foot, next to his big toe. Your right arm moves under the aggressor’s right armpit.

4.) Pivot counter clockwise on the ball of your right foot and continue to pull with the left hand. Your left foot steps back all the way through the triangle between the opponent’s feet. The toes of both feet should be pointing in the direction of the apex of the triangle. Pinch the opponent’s right arm at his arm pit between your right forearm and bicep. Rotate the palm of the right hand toward your head (this creates a tighter clamp on the opponent’s arm).

5.) Pull downward with your right hand as you straighten your legs quickly by driving upward off your heels, popping your hips upward into the opponent.

6.) To finish the throw, continue to pull and twist your torso by turning your right elbow toward your left knee and drive the opponent to the ground.

COMBAT JUDO: OSOTO GARI

Being able to utilize judo and its principles in a street encounter requires more attention to the technical aspects of throwing an aggressor not wearing a judo gi (uniform). I have in the past two years written three books addressing this very thing, two of which got great reviews and have sold out. My third book (pictured left) "Combat Judo" will be published 2024. 

Personally as a long time Judoka, I look at what I do with the sole perspective of; If this is the system I am fighting with, how am I going to do that and be effective in a realistic context? In my first book, REAL COMBAT JUDO, I worked off a very specific tactic called “THE STOP”. This tactic can be found in the US Army combatives Field Manuals 21-150 from 1954 through to 1971. It can also be found in earlier works such as Willaim Jacomb’s 1918 book on Practical self defense where it is referred to as “THE STOP”. It is also used in the 1905 book, The Complete Kano Jiujitsu/Judo.  The stop is a simple, gross motor driven direct and effective movement, it takes our natural survival instincts into consideration and allows those survival instincts to work as a foundation for a very rapidly delivered technique.

 “The Stop” capitalizes on the natural human reaction to extend your arms when someone attacks you by pushing him away.  Turning this instinctive reaction into a hit, thrown much like a straight punch in boxing as opposed to a push, you can stop the rotation of the attacker’s torso at his shoulder. “THE STOP” can be utilized as a preemptive strike or when the attack is recognized early or late. “THE STOP” can be used preemptively, just before the adversary is within striking distance and when your intention is to take him to the ground. When delivered it stops the forward motion of the attacker and brings his arms up toward the front (1st picture below).

The Stop can also be used to intercept a punch early, striking the pocket of the shoulder stops the rotation of the adversary’s torso at his shoulder (2nd picture above). It is also effective when you pick up on the attacker throwing a punch late. For example, if the attacker throws a right punch, step off line of the punch and at an angle to your right and deliver the strike with your left hand to the attacker’s right shoulder (3rd picture above). This tactic basically short-circuits the power of your attacker’s punch at the root of its motion. 

The Combat Judo one - two 

You can use "the stop" in combination with another strike to keep the opponent's balance and posture disrupted. Think of a boxer throwing a one - two combination.  

1.) Executed similar to a one - two combination in boxing, from a fighting stance or non violent posture, push off the rear foot and step forward with your left foot shuffling forward and strike the opponent at the pocket of the shoulder with a lead straight open hand strike (picture the movement of a boxer throwing a jab as he shuffles forward). The impact should rock the opponent back on his heels. The left hand immediately grabs the opponent's shirt at the area struck.  2.) Pull the opponent into you bringing him forward off his heels as you push of the rear foot again stepping toward 11 o'clock with your left foot shuffling forward.  As you pull the opponent into you deliver a hack with the outer boney area of your right forearm to the left side of the opponent's neck (picture this movement as that of a boxer throwing a rear hand straight punch). 

1.) From your fighting position your attacker attempts a right punch. Push off the left foot and step forward with your right foot off line and strike him hard in the pocket of his shoulder. The strike should stop his rotation and knock him back on his heels.  2.) Grab his shirt at the area struck and pull him into you as you push off your right foot and step with your left foot toward 11 o'clock. Simultaneously strike him with the blade of your right forearm in the throat or the side of the neck.  3.) Draw the right arm back and execute a horizontal elbow strike (when doubling up the hack with the horizontal elbow think of rechambering the hack more the like the action a pump shot gun. Rechamber then execute the elbow).  4.) Swing your right leg up between your opponent's right leg and your left leg. Sweep his right leg up  high with your right leg to finish the cross hock takedown/osoto gari/major outside reap. 

See related articles:

http://combatjudo.net/combat-judo-blog/boxing-the-sweet-science-unleashed/ http://combatjudo.net/combat-judo-blog/the-judo-arsenal-osoto-gari-for-practical-self-defense/

KAJUKENBO: The First of it's Kind

“Kajukenbo is the first of its kind of all origins in mixed martial arts.  Prior to its known existence in 1947, the history of Kajukenbo began when the USA was in war with Japan.  Before it became worldly known as Kajukenbo in the 1960’s, we called it Kenpo Karate.”  – MSgt. Tony Lasit, U.S. Air Force, Ret., Veteran of WWII, Korea, Vietnam and Founder of the U.S. Kajukenbo Association.

Much like the U.S. Armed Forces military servicemen that trained in Combat Judo during WWI and WWII, Kajukenbo was designed to disarm, disable and destroy an opponent with fierce proficiency. From its beginnings, Kajukenbo was an eclectic and adaptive self-defense oriented fighting method. Its sole purpose…..SELF DEFENSE. 

                          CLICK HERE FOR FULL ARTICLE @COMBATJUDO.NET

WW2 RESTRICTED JUDO: The US Army’s Amphibious Training Center’s Judo Fighting method

 

This article is about honoring a hero…..a fallen hero…..a ‘Commando’ instructor at the Amphibious Training Center (ATC) who created the 4th Division Ranger program and the online pdf file commonly refered to as the WW2 Restricted Judo syllabus. Having been retyped on a computer the “WW2 Restricted judo” syllabus pdf has been available on the internet for years, found in websites like scribd.com and in the files sections various WWII era combatives related Facebook groups.

 

When it comes to the subject of Combat judo, one of the most interesting documents that is out there and readily available in pdf form on the old inter-web is the “WW2 Restricted Judo syllabus”. Not much is mentioned within the online pdf document itself about where it actually came from or who put it together or what units used it. You honestly couldn’t escape the title “RESTRICTED JUDO” and the motto “Kill or be Killed” CLICK HERE TO CONTINUE READING

THE CROSS HOCK TAKEDOWN: OSOTO GARI VS THE BLADE

There probably isn’t a scarier scenario than being unarmed and facing someone with a knife. Whether civilian or law enforcement or military, I think it is safe to say that if you find yourself in this situation something… CLICK HERE TO CONTINUE READING

DERMOT PAT O'NEILL'S KNIFE METHOD

The purpose of the study of O’Neill’s only knife technique is to provide a specific knowledge regarding the use of the knife in Hand-To-Hand combat; to describe positions and movements used in attack and defense/counter offense, and to set forth a program for instruction in the O’Neill system of Hand to Hand combat...…..CLICK TO CONTINUE READING

COMBAT JUDO: KANI BASAMI

Sensei T. Tucker demonstrating Kani Basami on me (Winter Haven News Chief 1997)

In my last article I talked about SSG Robert Carlin’s inclusion of the drop kick in his classic WWII Combatives manual Combat Judo and how his drop kick more than likely come from a technique called Kani Basami, the scissor takedown or crab scissor. Both techniques are executed in much the same way. 

For me personally, Kani Basami was one of the throws that really caught my imagination in my study and practice of judo. It wasn’t a technique that is shown to beginners, that was for sure and I recall not being taught Kani Basami until after I was at a more advanced level. I learned kani basami as a leaping technique as opposed to the posting a hand on the mat version. I remember thinking when I saw the execution of the throw that it was indeed very advanced as well as very athletic. It remains the one throw that my instructor taught that stands out the most in my mind. Often when we would randori my teacher would surprise me with this technique. 

Tactically, Kani Basami had many advantages. Mainly it was/is a high percentage takedown with a very low risk of getting countered. It can also be used as a counter. It is one of the best dynamic entries one can use to surprise their opponent. 

With Kani Basami my instructor was particularly careful when executing it. A point of fact, he was extremely careful in our practice of it. It is a technique that has caused a number of injuries over the years in competition and practice and as a result it has been banned from competition. Even when Kani Basami is EXECUTED by a well-trained Judoka, the slightest misjudgment of distance and height on a moving opponent can result in a serious and even career ending injury. The injuries most often occur when the technique is executed too low and the thrower’s shoots his far side leg in first. With the leg furthest from your opponent going in first the thrower’s body weight is driven into the side of uke’s leg (much like a baseball player sliding into home base).  This has the potential to cause serious injury to knee (the ACL can blow easily) and ankle. 

To execute the throw safely and effectively the thrower has to place one leg across the opponent’s abdomen right at or just above the waist and the other leg is placed much lower down behind the knee or shin. To avoid injuring your opponent, the thrower should leap upward and throw the leg that is going to the front of the opponent’s abdomen/waist first, slightly ahead of the thrower’s other leg, that goes behind the opponent’s knee. 

RIGHT SIDE EXECUTION OF KANI BASAMI

Generally, this throw is executed when you are to the opponent’s left side and both of your feet are in line with both of his feet.  While gripping on the opponent’s shoulder, around the neck or the lapel with the right hand, the thrower launches off both feet and jumps up with his body facing to the left placing his right leg on uke‘s lower abdomen at the waist or just above. The thrower’s left leg then goes to the back of uke's knees. The thrower executes a scissor-like movement, from both the front and the rear, on the lower half of uke's body. The thrower twists his waist back towards the right, pulls back with the right hand while reaping so that uke falls towards his rear.

Now some may be used to seeing a lot of vids on you tube with the throw being executed by posting a hand on the mat and then executing the take down. However, as mentioned before, I was taught it as more of a leaping/jumping technique. Another point one may need to keep in mind is that I wouldn't leap directly into uke but rather the leap was directed more toward the rear as to further off balance uke rocking him back on his heels.

KNIFE FIGHTING

A knife fight is a violent physical confrontation between two or more combatants in which one or more participants is armed with a knife.  A knife fight is defined by the presence of a knife as a weapon and the violent intent of the combatants to kill or incapacitate each other; the participants may be completely untrained, self-taught, or trained in one or more formal or informal systems of knife fighting. Knife fights may involve the use of any type of knife, though certain knives, termed fighting knives, are purposely designed for such confrontations – the dagger being just one example.

Modern tactics for knife combat were developed by two British members of the Shanghai Municipal Police of the International Settlement in the 1920s. At the time the Shanghai streets were rife with criminal activity, exacerbated by the political tensions of the time and the breakdown of social order in much of the country.

Captain William E. Fairbairn and Sergeant Eric A. Sykes developed knife fighting skills and defences, which they began teaching to both police recruits and members of the British Army, Royal Marines and U.S. Marine units then stationed in Shanghai.  Fairbairn reportedly engaged in hundreds of street fights in his twenty-year career in Shanghai, where he organized and headed a special anti-riot squad.  Much of his body – arms, legs, torso, and even the palms of his hands – was covered with scars from knife wounds from those fights.

During World War II, Fairbairn and Sykes continued to refine their knife fighting techniques for military and paramilitary forces, teaching British Commandos, Special Operations Executive (SOE) personnel, selected American and foreign soldiers and covert espionage personnel, including members of the American Office of Strategic Services (OSS) and US/UK combined Operation Jedburgh teams. Their experience in training both soldiers and civilians in quick-kill knife fighting techniques eventually led to the development of a specialized fighting dagger suited for both covert elimination of enemy sentinels and close-combat knife fighting, the Fairbairn-Sykes Fighting Knife, a landmark weapon of its type.

The knife was designed exclusively for surprise attack and fighting, with a slender blade that can easily penetrate a ribcage. The vase handle grants precise grip, and the blade's design is especially suited to its use as a fighting knife. Fairbairn's rationale is in his book Get Tough! (1942).

In close-quarters fighting there is no more deadly weapon than the knife. In choosing a knife there are two important factors to bear in mind: balance and keenness. The hilt should fit easily in your hand, and the blade should not be so heavy that it tends to drag the hilt from your fingers in a loose grip. It is essential that the blade have a sharp stabbing point and good cutting edges, because an artery torn through (as against a clean cut) tends to contract and stop the bleeding. If a main artery is cleanly severed, the wounded man will quickly lose consciousness and die.

The length of the blade was chosen to give several inches of blade to penetrate the body after passing through the 3 in (7.6 cm) of the thickest clothing that was anticipated to be worn in the war, namely that of Soviet greatcoats. Later production runs of the F–S fighting knife have a blade length that is about 7.5 in (19 cm).

In all cases the handle had a distinctive foil-like grip to enable a number of handling options. Many variations on the F–S fighting knife exist in regards to size of blade and particularly of handle. The design has influenced the design of knives throughout the many decades since its introduction. - WIKIPEDIA

HAND TO HAND COMBAT

Hand-to-hand combat (sometimes abbreviated as HTH or H2H) is a lethal or non-lethal physical confrontation between two or more persons at very short range (grappling distance) that does not involve the use of firearms or other distance weapons. While the phrase "hand-to-hand" appears to refer to unarmed combat, the term is generic and may include use of striking weapons used at grappling distance such as knives, sticks, batons, or improvised weapons such as entrenching tools.[1] While the term hand-to-hand combat originally referred principally to engagements by combatants on the battlefield, it can also refer to any personal physical engagement by two or more people, including law enforcement officers, civilians, and criminals.

Combat within close quarters (to a range just beyond grappling distance) is commonly termed close combat or close-quarters combat. It may include lethal and non-lethal weapons and methods depending upon the restrictions imposed by civilian law, military rules of engagement, or ethical codes. Close combat using firearms or other distance weapons by military combatants at the tactical level is modernly referred to as close quarter battle. The United States Army uses the term combatives to describe various military fighting systems used in hand-to-hand combat training, systems which may incorporate eclectic techniques from several different martial arts and combat sports.

Close Quarters Combat, or World War II combatives, was largely codified by William Ewart Fairbairn and Eric Anthony Sykes. Also known for their eponymous Fairbairn-Sykes fighting knife, Fairbairn and Sykes had worked in the Shanghai Municipal Police of the International Settlement (1854-1943) of Shanghai in the 1920s, widely acknowledged as the most dangerous port city in the world due to a heavy opium trade run by organized crime (the Chinese Triads).

After the May Thirtieth Movement riots, which resulted in a police massacre, Fairbairn was charged with developing an auxiliary squad for riot control and aggressive policing. After absorbing the most appropriate elements from a variety of martial-arts experts, from China, Japan and elsewhere, he condensed these arts into a practical combat system he called Defendu. He and his police team went on to field-test these skills on the streets of Shanghai; Fairbairn himself used his combat system effectively in over 2000 documented encounters, including over 600 lethal-force engagements.[2] The aim of his combat system was simply to be as brutally effective as possible. It was also a system that, unlike traditional Eastern martial-arts that required years of intensive training, could be digested by recruits relatively quickly. The method incorporated training in point shooting and gun combat techniques, as well as the effective use of more ad hoc weapons such as chairs or table legs.

During the Second World War, Fairbairn was brought back to Britain, and, after demonstrating the effectiveness of his techniques, was recruited to train the British commandos in his combat method. During this period, he expanded his 'Shanghai Method' into the 'Silent Killing Close Quarters Combat method' for military application. This became standard combat training for all British Special Operations personnel. He also designed the pioneering Fairbairn-Sykes fighting knife, which was adopted for use by British and American Special Forces. In 1942, he published a textbook for close quarters combat training called Get Tough.

U.S. Army officers Rex Applegate and Anthony Biddle were taught Fairbairn's methods at a training facility in Scotland, and adopted the program for the training of OSS operatives at a newly opened camp near Lake Ontario in Canada. Applegate published his work in 1943, called Kill or Get Killed. During the war, training was provided to British Commandos, the Devil's Brigade, OSS, U.S. Army Rangers and Marine Raiders.

Other combat systems designed for military combat were introduced elsewhere, including European Unifight, Soviet/Russian Sambo, Army hand-to-hand fight and Systema, Chinese military Sanshou/Sanda, Israeli Kapap and Krav Maga. The prevalence and style of hand-to-hand combat training often changes based on perceived need. Elite units such as special forces and commando units tend to place higher emphasis on hand-to-hand combat training.

Although hand-to-hand fighting was accorded less importance in major militaries after World War II, insurgency conflicts such as the Vietnam War, low intensity conflict and urban warfare have prompted many armies to pay more attention to this form of combat. When such fighting includes firearms designed for close-in fighting, it is often referred to as Close Quarters Battle (CQB) at the platoon or squad level, or Military Operations on Urban Terrain (MOUT) at higher tactical levels.  - WIKIPEDIA

COMBAT JUDO: JUDO IN THE MILITARY

Judo from its very beginning has been a self-defense and combat discipline. The original Judo from Jigoro Kano was and still is a full featured combat discipline which formed the basis for many Military and Police tactics around the world. Pre-WWII Judo was a far different thing than what we see now. 

The Japanese in particular, being on a global war footing, practiced a type of Judo that has little in common with the "sport" of today.  This form of Combat Judo was a type of hand to hand combat that was perfected and used during WWII, modern warfare and self defense. 

Judo served well as an official system of Japanese Imperial armed forces and Japanese police. In 1886 the Tokyo Metropolitan Police Academy hosted a tournament between the Kodokan (The Kodokan Institute, is the headquarters of the worldwide judo community in Japan.) and the prominent Jujutsu style, to determine which "style" the Academy would adopt into their training regimen. Out of the tournament's 15 matches the Kodokan won 12 and had 1 draw. The reason why the Kodokan was so successful at this historic meeting lies in one word: Randori. Randori or free sparring trained Kanos judokas in as close to real life and death combat as possible.

Judo was probably the first Japanese martial art introduced to the west, most notably through the U.S. military in the modern era. As American GIs were introduced to the Japanese culture from the early 1900’s onward it was inevitable that the martial art of Judo found its way into the American culture.

CPT. Allen Corstorphin Smith of the United States Army trained at the Kodokan in Japan. CPT. Smith was awarded a  judo black belt from the Kodokan in Japan in 1916 and was the hand to hand combat instructor at the Infantry school at ft, Benning Georgia.

JUDO AND WWII COMBATIVES

World War II combatives are close quarters combat techniques, including hand-to-hand

(H2H), advanced firearm point shooting methods, and weapons techniques (knife/bayonet/improvised weapons) that were taught to allied special forces in World War II. The most successful programs were offshoots from the British Commando training taught by William E Fairbairn. Farbairn, a second degree black belt in Judo, had trained the police force in Shanghai, China before the war.  

Fairbairn was likely the single greatest authority on hand-to- hand close combat and personal defense skills with and without hand-held weapons of the 20th century.  He was the most prestigious, sought-after, and influential close combat trainer throughout the Allied Forces of WWII. The Commandos, the secret agents of England’s wartime Special Operations Executive and of America’s Office of Strategic Services, and special agents of the FBI all learned Fairbairn’s special system.

Mikonosuke Kawaishi an 8th degree black belt in Kodokan judo developed and taught a terrific and extremely deadly form of  close combat/self- defense. Mr. Kawaishi's methods are probably the most ruthless form of Judo ever to be put before the public, and were designed for the keen Judoka, and the Police Forces and Military Establishments all over the world.

Finally there is “Pat” Dermot O’Neill the fabled hand-to-hand combat instructorr for the Canadian/American First Special Service Force (the “Devil’s Brigade”). O’Neill had been a detective with the Shanghai Municipal Police Department, and had learned Defendu directly under Fairbairn. O’Neill was the highest ranking Caucasian judo black belt in the world in the 1940’s.

Fairbairn, Oneill and Kawaishi were all Judo trained men. All three of these men were incomparable masters of practical, all-in fighting and close quarter combat.  EACH ONE taught a repertoire of vicious, direct skills to disable the enemy as quickly as possible at all costs.

Various aspects of Judo were taught to all U.S. military police as an effective way to deal with arresting and controlling drunken, brawling GIs without seriously harming them.  The great Judo legend Masahiko Kimura shared a story in his biography about being approached shortly after WWII in the summer of 1946 by a Capt. Shepherd of the U.S. Military Police to train Military Police personnel in Judo.

The United States Air Force has at times in its history been at the forefront of Combatives Training. Soon after the establishment of the Air Force as a separate service in September 1947, GEN Curtis Lemay was appointed as the Commanding General of the Strategic Air Command (SAC). GEN Lemay, who had masterminded the US air attacks on the Japanese mainland during World War II, knew that more US bomber groups in Europe had suffered more combat casualties than the US Marine Corps had in the pacific. Many of the lost Airmen ended up as German Prisoners of War. He was determined that all of his flying personnel would have a working knowledge of hand-to-hand combat to aid in escape and evasion.

In 1951 GEN Lemay appointed Emilio "Mel" Bruno, his Judo teacher and a former national American Athletic Union (AAU) Wrestling champion and fifth degree black belt in Judo, to direct a command wide Judo and combative measures program. He devised a program combining techniques from Aikido, Judo and Karate.

 In 1952 the Air Training Command took over the program. The Commanding General was General Thomas Power. Because of the deficiency in qualified instructors, Power sent two classes of twenty four Airmen to train at the Kodokan for several weeks. 

Based upon the success of this trial and after an official delegation from the Kodokan toured SAC bases in the United States, Bruno set up an eight week training course at the Kodokan. Students trained eight hours a day, five days a week and upon return to the United States were assigned throughout SAC. The course was a Japanese designed mix of judo, aikido, karate and taihojutsu.

From 1959 to 1966 the Air Force Combative Measures (Judo) Instructors Course was taught at Stead Air Force Base in Reno Nevada. The 155 hour course consisted of: 36 hours fundamentals of judo, 12 hours aikido, 12 hours karate, 12 hours Air Police Techniques, 12 hours Aircrew self-defense, 18 hours judo tournament procedures, 5 hours code of conduct and 48 hours training methods. There were also a 20 hour Combative methods course and a 12 hour Combative survival course for Aircrew members.

Being recognized as so effective in combat, Judo/Combat Judo became the basis for most of the hand-to-hand combat skills taught to soldiers throughout all branches of the U.S. military.

Judo is a sport but it is much more "combatives" oriented.  The judoka trains at a close quarter combat range developing avenues to quickly put an end to a hand to hand or close quarter combat situation. There is a reason that old school law enforcement and the United States military taught Judo...IT WORKED.

"Judo instruction is one of the high spots in the life of the latest addition to the Leatherneck Marines here. An instructor shows a recruit how to make the enemy's bayonet useless. Cpl. Arvin Lou Ghazlo, USMC, giving judo instructions to Pvt. Ernest C. Jones, USMCR.", 04/1943 - Department of Defense. Department of the Navy. U.S. Marine Corps